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Photo: Stephen Robinson I have been saddened to learn of the death in Whangarei of Keith Mahy, on Friday 14 June 2013. Keith was the first New Zealand born studio glass artist (I think only English Reg Kempton and American Tony Kuepfer predate him in New Zealand ). But Keith's involvement with glass began well before he set up his studio in that former cow shed at Otonga, between Hikurangi and Whakapara in Northland in 1976.   Keith was born in Whakatane in 1947 and studied sculpture and design at the Elam School of Fine Arts at Auckland University, graduating with a Diploma in Fine Arts in 1969. He won the New Zealand Manufacturers Association Student Design award in 1967, and on completing his studies worked in packaging design in Auckland. In 1970 he was appointed Design Director at Crown Crystal Glass in Christchurch. Keith designed many of the successful ranges of glassware produced by Crown Crystal Glass, including Anker which won a Designmark award in 1970 and Aragon, Des...

I have posted a couple of blogs about Avalon Glass, the pioneering and quite individual glassworks at Fox River on the South Island West Coast. Several partnerships, both personal and artistic developed and changed there over time.  This small jug (10cm high) is signed Braid '99 NZ One outcome after Avalon Glass itself had closed, or was nearing its close, was the Seal Island studio established by Ross Smith and Lynda Braid. Ross Smith was one of the founders of the Avalon Studio in 1985 with Lawson Bracewell and Greg Smith, joined subsequently by Robert Reedy 6 months later and then Roger Thompson. Lynda joined Ross at Avalon in 1993, and in 1996 after Avalon closed they formed Seal Island Studio, named after a small island (uninhabited, at least by humans) just west of the mouth of the Fox River.   Signed Seal Island 1999 Aotearoa NZ (L) Seal Island NZ 2002 (R) Between 1993 and 1995 Ross was the owner of the Avalon works, which he leased to Greg Smith and Robert Reed...

  I was really lucky to be in Auckland this week so I could see Ann Robinson's amazing exhibition BRIM at FHE Galleries. Ann is renowned for her exploration of the bowl form and yet here she takes it in a completely new direction. These are distinctly and recognisably Ann Robinson bowls and yet they represent a totally new body of work. She describes in the poem that accompanies the exhibition the process, intellectual, technical and physical that led to these works.  I won't try to explain that here, that is for Ann to do, which she does most eloquently of course through the bowls themselves. This is an exhibition that you really must try to get to see for yourself. The photographs by Kieran Scott reproduced here from the FHE exhibition brochure are great, but you need to see the bowls themselves. The exhibition is on at FHE Galleries in Kitchener Street, Auckland until 29 June 2013.

I've had a couple of pleasing responses to my blogs recently. Chuck and Indiah Simpson's daughter, Whitney-Leigh emailed, expressing appreciation of my words and photos of her parents' work from Inglewood in the 1980s. And the latest Newsletter of the Wanganui Glass Group says "Stuart’s Blog is very well researched and is a great starting point for all of us with an interest in, and appreciation for NZ Glass." It's great when those I write about are interested to read what I write! The Newsletter also brings preliminary news of the events that are being planned for the Wanganui Festival of Glass, to be held in Whanganui from 7 - 15 September this year. Whanganui is a city that its proud of its glass artists, and the annual Festival showcases the best of their work.  The Festival provides a wide range of opportunities to see glass exhibitions, visit artists in their studios, watch visiting glass experts as they give master classes, admire the work of the up and...

I wrote yesterday about the wonderful tamarillos of Lou Pendergrast-Mathieson. But you can't talk about glass tamarillos and not refer to the work of Fran Anderton, who has made tamarillos very much her own fruit.  I have admired them for quite a while, and was very pleased to be able to acquire one from the Whanganui Glass Festival exhibition in October last year.   Fran was born in England (and nothing wrong with that, I say assertively) and moved to New Zealand as a schoolgirl.  She trained in glass design and production at UCOL Whanganui, graduating with a Diploma in 2003. She has a strong interest in the natural envi ronment, which she attributes in part to having a plant propagator for a mother and a florist for a sister, though Fran says she is also influenced by the uniqueness of New Zealand's beautiful native bush, beaches and scenery . Avocadoes, citrus and olives have all provided inspiration for her bottles and bowls, but in my view it is her tamarillo bottle...

In spite of the severe drought we are experiencing in Northland presently, a tree in my garden has sprouted two very fine tamarillos (aka tree tomatoes). Which i s a bit surprising, since it isn't a tamarillo tree. In fact, these tamarillos are cast glass, with stainless steel foliage and twigs. They are a collaboration between Auckland glass caster Lou Pendergrast-Mathieson and stainless steel fabricator Phillip Moodie.  I saw a 'crop' of these in another non-tamarillo tree in the exhibition Re:Fraction 2012: the Outdoor Glass E xhibition at the Sculpture Park, Waitakaruru last spring. I was struck by their simple beauty, and knew at once I could fin d a host tree in my own garden. What I was less clear about (indeed, really puzzled about) was the title that Lou had given these: 'A Tribute to Esther James'. Who was Esther James? 1950s Hollywood star? 1920s Paris dancer? Both seemed vaguely possible, though why tamarillos would be a tribute was quite mysterious. R...

I have mentioned before my admiration of the glass of Northland artist Kathy Shaw-Urlich. Yesterday I had the privilege of visiting K athy in her workshop and seeing the wonderful new glass windows she is designing and making for the marae of her Ngati Hau people at Whakapara , north of Whangarei .  Th i s is a project supported by a Te Waka Toi Creative NZ Arts Grant, which Kathy was awarded last year.  A new wharekai (dining room) Te T awaka is to be built next year, and the project includes three windows for that, which Kathy has almost completed . C urrently she is working on the three panels that will fit in the main window of the wharenui Te Ihi o Ne h ua, which was opened in 1998 (see http://www.naumaiplace.com/site/whakapara/home/page/147/marae-buildings/ ). The designs for the win d ows have been developed by Kathy arising from discussions on the marae. There were also visits to places that are special to Ngati Hau such as the river and waterfall Waiariki and the ma...