bodner051

In my blog in November 2016 [see http://newzealandglass.blogspot.co.nz/2016/11/fred-daden-and-tony-kuepfer-at.html ], I wrote about the wonderful archival film that has recently been resurrected through the NZ Society of Artists in Glass archiving project. In March 1977 English master gaffer Fred Daden came to Inglewood in Taranaki at the invitation of then almost beginner Tony Kuepfer, to show Tony some of the skills of the glass-maker. The film shows Fred repeatedly demonstrating how to make a wine goblet, and especially how to make the foot. Quite out of the blue I was recently offered a decanter and four wine glasses. Together with a set already in my collection, they demonstrate beautifully how much Fred taught Tony, and indeed how good a student Tony was. Photo: Greg Clarkson These pieces certainly resemble the early glass Tony was making, but I wasn't initially entirely sure they were Tony's work. The decanters and goblets of his I have seen are quite elegant, and these...

There have been a lot of students of glass in New Zealand since the first tertiary course was established in Whanganui in 1989. While some have gone on to make sustainable careers as professional glass artists, many others stop their glass-making once they finish their studies, or after a few years in the 'real world'.   A collector of glass like me is always delighted to buy a piece by an 'emerging artist' since that person may go on to a significant career. I have a number of pieces in my collection which are early examples by some of today's 'names' in glass - perhaps that might be the subject for a future blog. But equally, I also have pieces that are one of only a few made by a particular person, who did not carry on in glass. I treasure those as well. I first came across the name Nic (for Nicola) Robb in June 2006 when I bought a piece on TradeMe signed 'Nic Robb Feb 89'. Just over 8cm high, it's hardly the greatest piece of glass ever mad...

I mentioned in my last post the great provenance provided for a recent acquisition by a catalogue from the first Philips Studio Glass Award exhibition in 1984. Here's a piece of Chuck Simpson's glass I purchased recently, which also has a great confirmation of its provenance. This is clearly signed  'Chuck Simpson', so there can be no doubt who made it. But Chuck Simpson made glass at Byron Bay in Australia before he came to Inglewood with Lesley Justin in 1987, and he made glass at Eumundi in Queensland after he and Lesley, by then his wife, returned to Australia in 1990. It is typical of glass he made at Inglewood, but it is great to have its New Zealand origin confirmed by the marketing card that came with it.   But that is not the first Inglewood piece to have come with its own marketing card.  The piece to the left is signed 'Glass Art NZ', a name which seems to have been used both by Chuck and Lesley Simpson and by Andrew Williams, though that is ...

The New Zealand Society of Artists in Glass was founded in August 1980 at the first New Zealand Glassworkers' Symposium held in Taradale. The next year the first NZSAG Conference was held at The Hot Glass Company in Devonport.  Since then, NZSAG has held a conference every other year, where glass artists meet to discuss and demonstrate their work.  An important element of these conferences has often been the invitation to international glass artists to come to talk, to teach, to demonstrate, as one way for New Zealand artists to augment their skills. The Devonport conference was attended by Americans Richard Marquis and Ed Carpenter, in hot glass and flat glass respectively. In April 1983 NZSAG held its Conference at the Glass Plant in Inglewood, the studio of Tony Kuepfer. This coincided with the holding of the first major exhibition of art glass in New Zealand, Pacific Glass '83 at the Govett Brewster Gallery in New Plymouth.  The exhibition and the conference marke...

A mistake I made in my article on the history of glass in New Zealand came home to haunt me the other day.  In New Zealand Glass Art I described Inglewood glass artist Chuck Simpson as being Canadian.  A trader on TradeMe offering a stoppered bottle by Chuck (at right - TradeMe 428728782) apparently followed my mistake by saying Chuck was Canadian.  I'm not sure where I got the idea from, but I was wrong. A fascinating article about Chuck Simpson's glass appeared in the Australian journal Craft Arts International (32, 1994-5 p79).  It included biographical information indicating that Chuck was born in Sunbury, Pennsylvania, in 1944. He got a Bachelor's degree in Education in Pennsylvania, and then taught secondary school for fifteen years, mostly in Victoria, Australia.  In 1985 he began working in the hot glass studio of Colin Heaney at Byron Bay in northeastern New South Wales, before moving to New Zealand and leasing Tony Kuepfer's studio at Ing...