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I've had a couple of pleasing responses to my blogs recently. Chuck and Indiah Simpson's daughter, Whitney-Leigh emailed, expressing appreciation of my words and photos of her parents' work from Inglewood in the 1980s. And the latest Newsletter of the Wanganui Glass Group says "Stuart’s Blog is very well researched and is a great starting point for all of us with an interest in, and appreciation for NZ Glass." It's great when those I write about are interested to read what I write! The Newsletter also brings preliminary news of the events that are being planned for the Wanganui Festival of Glass, to be held in Whanganui from 7 - 15 September this year. Whanganui is a city that its proud of its glass artists, and the annual Festival showcases the best of their work.  The Festival provides a wide range of opportunities to see glass exhibitions, visit artists in their studios, watch visiting glass experts as they give master classes, admire the work of the up and...

I wrote yesterday about the wonderful tamarillos of Lou Pendergrast-Mathieson. But you can't talk about glass tamarillos and not refer to the work of Fran Anderton, who has made tamarillos very much her own fruit.  I have admired them for quite a while, and was very pleased to be able to acquire one from the Whanganui Glass Festival exhibition in October last year.   Fran was born in England (and nothing wrong with that, I say assertively) and moved to New Zealand as a schoolgirl.  She trained in glass design and production at UCOL Whanganui, graduating with a Diploma in 2003. She has a strong interest in the natural envi ronment, which she attributes in part to having a plant propagator for a mother and a florist for a sister, though Fran says she is also influenced by the uniqueness of New Zealand's beautiful native bush, beaches and scenery . Avocadoes, citrus and olives have all provided inspiration for her bottles and bowls, but in my view it is her tamarillo bottle...

I recently had a tussle on TradeMe with my Australian competitor 'Slumbum'.  Stephen is a keen bidder on New Zealand glass, while I do my best to keep pieces in New Zealand.  Opononi trader Tigerlillie advertised a piece as being by Keith Mahy, with an indistinct signature but probably dated 1990.  'Slumbum' and I both realised a signed and dated piece by Keith from 1990 was unusual, and so we went for it.  He pushed me a bit, but I succeeded in the end.  We more than doubled the reserve, which no doubt pleased Tigerlillie.  In the meantime I had emailed Keith to seek verification that the piece was his.  Alas, after I had won the auction the reply came that it was not a piece Keith recognised as his work. So I waited curiously to see what it was.  To my delight, the signature was one I recognise readily - now, though I wouldn't have known it until recently.  In that curious way whereby once you see one piece, others turn up, it turned out t...

I blogged a few days ago about a piece in my collection by Kharen Hope, and outlined the information I had been able to gather on this artist, previously unknown to me.  Several people I met in Whanganui recently during the Festival of Glass recalled Kharen when she was a student and a staffer in the Glass department at UCOL, and suggested she now lives in Wellington. However, new information has come to light from an unexpected source.  A reader of my blog offered me a piece by Mel Simpson, which will feature in a forthcoming entry.  With the piece he gave me a copy of the catalogue for the 1984 Philips Studio Glass Award.  This is great, since while I had 1985 and 1986, I lacked this first exhibition catalogue. Browsing through, I was surprised and delighted to see number 12, a piece entitled 'Aging', entered by Kharen Hope of Matapouri. The catalogue images are not brilliant, and are all monochrome.  It's not easy to see the detail of the lettering around the...

The Whanganui Glass Festival was a great experience last weekend.  The whole town was buzzing, and there were glass artists, glass enthusiasts and glass events everywhere. Nick Mount blows glass at Chronicle Glass with assistance from Katie Brown Things kicked off with a 'Raise Your Glass' celebration at Chronicle Glass for the sponsors, the retailers who had provided display space, invited guests and members of the Whanganui Glass Group.  Once again glass blowing as performance art was to the fore, with veteran Australian glass master Nick Mount showing his skills, to the accompaniment of a local band, with a very enthusiastic audience.  The pieces Nick made were included in the auction the following night. Karen Ellett holds one of the pieces from her Mainstreet display On Saturday I did a tour of the Mainstreet shop window displays.  This was made all the more enjoyable by the knowledgeable guide we had, glass artist Karen Ellett.  Karen's commentary on the p...