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John Croucher was an important influence on the development of glass in Auckland and New Zealand. After some experimentation and with the support of the Queen Elizabeth II Arts Council John set up Sunbeam Glassworks in Jervois Road in 1976. Formed as a loose co-op of several craft-workers, glass production included hot glass, flat glass and flame working. In 1981 two new glass-blowers became partners with John Croucher at Sunbeam. Ann Robinson was a student at Elam in 1980, and while there met Australian Garry Nash.  After Ann graduated from Elam, she and Garry joined John Croucher at Sunbeam in 1981. They developed the new Sunbeam studio in McKelvie Street in Ponsonby. This was a highly successful partnership, and the Sunbeam artists brought wide exposure to this new art form.  Photo: Krzysztof Pfeiffer, from Pacific Glass '83. John Croucher at Sunbeam, 1982 Photo: Mark Wilson One of the Sunbeam pieces that made quite an impact was John Croucher's Hot Lips Trilogy , made i...

One of the great thrills of hunting for glass on internet auction website TradeMe is when you buy something you don't know what it is, but you have a hunch, and it turns out to be something quite special. Of course, there are also those occasions when the hunch proves to be wrong, and the piece turns out to be nothing, or something of no interest that I can't identify. Which is why I have a box of motley pieces ready to be donated to the Opp Shop... But here's one of the success stories. A chunky art glass goblet, the trader said, with GBC 1979 engraved on the base. No other clues as to its origin or the identity of the maker. The auction was set for bidding to start at $20, with no reserve price. I racked my brains to think who GBC might be, but to no avail.  There was a photo, which had hints of NZ glass - Keith Mahy seemed a possibility, but he clearly wasn't 'GBC'. The photo wasn't as clear as this one, which I took once the piece arrived, but it was g...

Lino Tagliapietra was born in Murano in 1934, and has a long career as a maestro in making glass.  Significantly, through his connection with Dale Chihuhly, he fostered the process of sharing the Muranesi glass making skills, until then closely guarded secrets, with the wider world.  Lino taught at Pilchuck in Washington in 1979, and undertook teaching, classes and demonstrations in many parts of the world. In 1990 Garry Nash and NZSAG arranged for Lino to give a masterclass at Garry's Sunbeam Glass studio in Ponsonby.  I was thrilled to have an opportunity to visit one of the sessions at Garry's invitation.  Lino made a number of pieces during his time here, and I was delighted recently to be able to add one of those to my collection after it was offered on TradeMe. This dolphin goblet is a classic example of Venetian glass making, but it is signed Lino Tagliapietra NZ 90.  It's made in clear glass, but the eyes are red murrini with white centres.  It's ju...